|
中國電影新世代 八十年代，香港以至世界觀眾從第五代中國導演身上重新認識中國電影。然後，九十年代有了第六代的出現，雖然大家已發現這個「第六代」能包含的意義已不如「第五代」所定義的精準。中國電影的發展、中國新一代的導演，似乎已不能輕易地一概而論之。到了今個世紀，投資方式多樣化，數碼技術普及化，新導演不斷在中國誕生，不停地為我們帶來驚喜。縱然我們再說不清這些導演這些作品屬何代何派，但肯定的是，中國新導演為世界影壇、為中國文化所帶來的衝擊及震撼，不容忽視。今屆香港亞洲電影節特別策劃了「中國電影新世代」這環節，精選了七部風格迥異、神采飛揚的中國新導演作品，期望由觀眾為我們這一代的中國電影定義。 Chinese Cinema: A New Generation In the 1980s, audience in Hong Kong and around the world rediscovered Chinese Cinema through the work of the Fifth Generation of Chinese filmmakers. The Sixth Generation came to prominence in the 1990s, but the attributes of these filmmakers are not as easily categorised as their predecessors. The development of Chinese filmmaking at this stage and the filmmakers that are grouped under this labelled defies generalisation. At the turn of the century, benefiting from the new funding opportunities and the prevalence of digital technology, a new breed of filmmakers emerges, whose films never ceases to surprise us. While it is futile to try to classify their style or label them as one specify generation, one thing is certain: these filmmakers have made an impact on the international stage as well as Chinese culture that they demand our attention. With this in mind, we present “Chinese Cinema: A New Generation”, a selection of the work by seven rising Chinese directors, in this edition of Hong Kong Asian Film Festival. These films might be made in a variety of styles, but they all share a sense of vibrancy and vitality. It is for you, our audience, to create your own definition of new Chinese Cinema. 蘋果 Lost In Beijing 中國 香港 China Hong Kong / 2007 / 彩色 Color / 35mm / 112min 導演 Dir: 李玉 Li Yu 2007 柏林影展金熊獎提名 2007 ，迷失北京。來到京城誓要力爭上游改善生活的年輕夫婦蘋果和安坤，日子本來過得平靜。一天，蘋果被老闆林東性侵犯，為兩個家庭帶來驚天巨變。不甘愛妻被強暴，安坤決意以暴易暴，對林東勒索威脅。而林東的妻子發現丈夫與下屬有染，竟勾引安坤，以其人之道還自其人之身。兩對夫婦，逐漸發展出一段欲斷難斷、愛恨交纏的畸戀。內地新進女導演李玉的第三部長片，探討內地經濟大潮下的慾望與人心，大膽刻劃禁忌議題，盡現繁華背後光怪陸離的社會眾生相，拍出發人深省的「迷失北京」。 The life of a young migrant worker couple who moves into the fashionable nightclub district in Beijing is plunged into turmoil as the wife is raped by her boss at the foot massage parlor. The husband's jealousy and anger is dissipated when he decides to blackmail the rapist, but things become even more problematic when he finds out his wife is pregnant and either man might be the father. LOST IN BEIJING is a controversial assessment of human desires and greed in a China undergoing rapid economic expansion. |