1946年春的中國小城，住著中落的戴家：一家之主戴禮言終日鬱鬱寡歡；太太玉紋有感生活無聊與丈夫分床而居；小妹戴秀覺得未來無量誓要走出小城。一切都因禮言的舊友/玉紋的舊情人志枕的造訪起了變化。一息間，玉紋久違的激情、小妹初開的情竇、禮言鮮有的嫉妒，充斥著小城的家。著名導演費穆一九四八年的代表作品，今天由中國電影第五代導演旗手田壯壯重拍，摘下威尼斯影展導演週最佳電影。小城喻為今日的中國，百感交集。

It's the spring of 1946. The eight-year marriage of Dai Liyan and Yuwen has left them both unfulfilled. Life in this small town in China cannot seem more stagnant, until the unexpected visit of Zhang Zhichen, Liyan's old friend and Yuwen's childhood sweetheart... Remaking Fei Mu's 1948 classic, Tian Zhuangzhuang's first film in ten years makes an impressive comeback. Best Film at Director's Week at Venice Film Festival.

大胖子偉達是母親經營的街坊飯堂的廚師，生活本來淡如水，一日來了青春可人的新侍應，偉達的心跳從此加速。超重身型令自信大減，在心裡反覆高叫的三個字，就像卡在喉嚨的一塊薄餅吐不出。《弦途有你》、《你有冇問題》的占士曼高首次執導即獲辛丹斯嘉許，以身體語言及表情代替滔滔不絕的語言，含蓄細膩。莉芙泰萊的懾人氣質，迷到的又豈只是戲中人。

Victor works as a cook in a greasy bar/restaurant owned by his mother. Things change when Callie shows up as a new waitress and steals his heart. But Victor is too shy and too self-consciously overweight to dream of winning Callie. Victor's terrible loneliness overwhelms him when he has to face losing what he loves the most. James Mangold's debut feature, winner of special jury prize at the Sundance Film Festival, is about communication, or, more appropriately, the lack thereof.

她的職業生涯始於十歲。在當女僕的十年內，她盡是旁觀、洞察，自學人生道理。她的戀愛故事始於二十歲。被轉送至鋼琴家家中為傭，暗暗地，她愛上了他。而他，可會感應到她的娓娓深情？清新，怡人，看似平淡卻最堪回味。陳英雄憑細節的關注及含蓄的表現手法炮製出一碟令人甜在心頭的越南小菜。

A deceptively simple tale of two periods in the life of a Vietnamese girl named Mui, who started working as a maid since she was 10 and falls in love with her new master, a pianist, when she's 20. Relying more on tone and feel, the film manages to engross an audience because of its scrupulous attention to detail and its ability to effectively capture the essence of life's subtle, individual moments. A unique and memorable debut by Tran.