韓國女導演鄭佳映繼《Bitch On the Beach》後再度自導自演，引用和朋友之間的親身經歷，以男女不同的思考模式與心理攻防為主調，加入《春逝》的想像橋段，談談情、說說性，用輕鬆黑色幽默的手法探討男女之間的大不同。劇情圍繞導演所建構的愛情世界，女主角以田野調查之名，向男主角借醉行兇。大量的長對白玩味有驚喜，素人演出也絕非隨意即興，背後充滿導演的反覆推敲。導演坦言，她的作品深受洪常秀影響，且看本片如何拍出洪氏風格之餘，又充滿她的個人特色。

In 2016, Jeong Ga-young made her debut splash with Bitch on the Beach about a drunken cinephile trying to seduce her ex. She again writes, directs and stars as the charmingly aggressive heroine of her sophomore effort Hit the Night. Using research as an excuse, a young filmmaker approaches and interviews a man she’s interested in. She hits him with deeply personal questions about his love life and sexual desires while gradually getting him drunk. Their bond grows through the night but he seems impervious to her advances. Jeong smartly reverses gender roles and expectations in a script-driven relationship drama that is reminiscent of the works of Hong Sang-soo.