鮮浪潮，2005年由杜琪峰發起，至今已邁入第十年，培育新導 演不遺餘力，每年不乏優秀短片作品。近年香港社會引發的危機，公民社會發展蓬勃，亦激起了不少鮮浪潮導演對政治事務的關注。2011年鮮浪潮最佳劇本《三月六日》中三個示威者與三個警察在錄口供過程中的精彩對話，口沫橫飛字字珠璣，同年獲最佳創意獎的《七一生日不快樂》，呈現七一遊行造就一段浪漫情緣；2013年《罪名》以遊行示威者陳小丘的視角看這個不義之城，2014年《作為雨水:表象及意志》刻意被人更改為惡劣天氣，遊行陰謀論四起。四部短短的鮮浪潮作品發揮無限的創意，透過青澀卻真實的影像記錄香港社運點滴。

Since 2005, the Fresh Wave Short Film Competition has enabled young filmmakers to tell their stories, including these four shorts, which acutely observe Hong Kong’s recent political and social turmoil. Depicting a verbal battle of beliefs between protesters and policemen, Wong Chun’s 6th March questions the price of freedom in today’s Hong Kong. Shot on location at the 2011 July 1st protest, Li Miao’s mockumentary July 1st, An Unhappy Birthday tracks the deterioration of a relationship over the course of the march. Wan King-Fai’s Guilty follows a young woman whose future becomes uncertain when police charge her for her role in a demonstration. Chan Tze-Woon’s Being Rain: Representation and Will introduces a secret organization that is controlling the weather to suppress participation in social movements.