小說作家出身的中國朝鮮族導演張律講故事真有一手。出道至今，深受各影展歡迎。去年的《慶州蜜語》(第11屆)帶來一個另類的浪漫故事，今年則大玩電影語言結構，繼續反主流而行衝擊我們對電影的意識形態。故事由兩件看似無關的小事件展開：這邊廂，一個年輕女子(韓藝里飾)到精神病醫院探望祖父(安聖基飾)發現他對一名病房女職員有好感;那邊廂，一個在年青電影幕後人員(朴海日飾)竟敢跟導演爭辯。影片由四個錯綜複雜的章節組成，當中有相關的，也有不相干的。敢創本來就是張律作品吸引之處。和以往作品一樣，他的駕馭能力往往令觀眾眼前一亮。

Known for art films about dislocation and cultural identity, Korean- Chinese filmmaker Zhang Lu follows last year’s Gyeongju with Love and..., which explores the connection between love and film through an inventive series of incidents and scenarios. A woman visits her grandfather in the mental hospital and discovers that he likes one of the hospital workers. After a disagreement with the director, a lighting crew member runs off with a film canister and wanders around thinking about the film he would make. First developed as a short, Love and... sees Zhang collaborating with legendary actor Ahn Sung-ki, Hong Sang-soo regular Moon So- ri, up-and-coming actress Han Ye-ri (Haemoo) and Gyeongju’s Park Hae-il.