An Andalousian Dog
(Un Chien andalou)
安德魯的一條狗
Synopsis
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Buñuel wrote and directed his first film Un Chien andalou (1929), the most renowned surrealist film, jointly with Spanish surrealist painter Salvador Dali. There is the most anthologized surrealist image of a man with razor blade (Luis Buñuel) cutting open a woman’s eye juxtaposed with the image of a cloud across the moon. A man (Pierre Batcheff) and a woman (Simone Mareuil) stare at his right hand swarming with ants, followed by a female sunbather’s armpit hair and a sea urchin on the beach. The man caresses the unwilling woman’s breast and drags two priests (Salvador Dali) and two pianos with dead donkeys on top. This world of dreams, desire, and the unconscious is set to a cheerful Argentine tango alternating with Wagner’s passionate “Liebestod.” (Screening with Between Acts and Paris Asleep; total running time: 75mins)
電影簡介
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布紐爾與西班牙超現實主義畫家達利攜手打造第一部電影《安德魯的一條狗》，當中有影史上最出名的超現實主義意象：拿著剃刀的男人（布紐爾）
開女人的眼睛與一線雲飄過圓月的意象並置。男人（Pierre Batcheff）與女人（Simone Mareuil）盯著男人不斷湧現螞蟻的右掌瞧，後接女泳客的腋毛與沙灘上的海膽。男人愛撫不情願女人的胸，吃力拖著兩位神父（其一為達利）與兩架上有死驢的鋼琴。歡快的阿根廷探戈音樂與華格納激情的「愛之死」詠嘆調交替為夢、慾望與潛意識的異想世界配樂。（同場加映：中場休息及沉睡的巴黎； 總長度為75分鐘）
