bc Latest News & Events

  • September 30, 2014
    Martin Scorsese’s film school_Sep2014

    日期 Date: 30/9 (Tue)
    時間 Time: 7:00 p.m.
    地點 Venue: bc 1/F
    講者 Speaker:四維出世、郭梓祺

    歷劫佳人 (Touch of Evil)

    美國/1958/黑白/95 分鐘/英語對白英文字幕

    導演:奧遜威爾斯 Orson Welles

    演員:查爾登希士頓 Charlton Heston、珍納李Janet Leigh、奧遜威爾斯

     

    甫從一開首的炸彈特寫,我們便跟着計時器上的三分鐘,進入一個充滿著InevitabilityIrreversibility的黑色電影世界。《歷劫佳人》發生在墨西哥與美國兩國邊境之間,講述墨西哥緝毒員Vargas(查爾登希士頓飾)與一直受人景仰的美國警探Quinlan(奧遜威爾斯飾)合作,嘗試找出一樁汽車爆炸案的元兇。雖然Quinlan鎖定元兇為爆炸案死者女兒的秘密情人,Vargas卻思疑Quinlan為求破案而捏造犯罪證據。與此同時,毒梟黑道Grandi一家綁架了Vargas的妻子,並企圖拉攏Quinlan同流合污。到底Quinlan是正直還是沉淪的警探?兩地國境的差異,除了突顯角色們在身份、經濟和政治上的千絲萬縷,更為人性善惡定了一條模糊邊界。

     (上述節目,全部免費入座 All admissions are free-of-charge.)

     

  • July 17, 2014
    Winner List of “Only Lovers Left Alive”-17July2014 Preview Tickets

    Please bring along the email print out and your valid bc VIP membership card to redeem 2 preview tickets of “Only Lovers Left Alive”.

    Preview screening Date& Time:17 July 2014 (Wed) 9:40pm

    Redemption details as follows:

    Redemption period: 12-16 July 2014

    Redemption time:11:30am – 10:00pm

    Redemption venue: bcinephile, Broadway Cinematheque

    Enquiry: 2783 7004

    Winner List:
    103213, 106824, 107428, 122784, 126922, 134355, 134821, 137381, 141888, 144378, 144479, 146503, 147756, 147801, 149657, 150944, 151361, 152144, 154328, 155694, 158068, 158211, 158822, 159642, 160117, 160373, 160802, 161355, 161579, 162749, 163663, 164440, 164712, 165579, 165770, 167464, 167569, 167618, 168168, 168975, 169124, 169456, 169654, 170164, 170306, 170346, 170602, 172072, 172136, 172320, 172636

  • June 24, 2014
    Martin Scorsese’s film school_June2014

    Date: 24/6 (Tue)
    Time: 7:00 p.m.
    Venue: bc 1/F

    匹馬單槍 (I Walk Alone)
    美國/1948/黑白/97分鐘/英語對白、英文字幕
    導演:Byron Haskin
    演員:畢蘭加士打、卻德格拉斯、麗莎白史葛

    講者:陳廣隆、舒琪

    在這個凡事皆有價的年代,兄弟、承諾,又值多少錢?Frankie(畢蘭加士打飾)與Noll(卻德格拉斯飾)在禁酒令期間合作私酒勾當,後被警方追捕,兩人承諾無論誰失手被擒,出獄後仍可分佔公司一半股份。不久Frankie被囚,十四年牢獄後找Noll追討所得,Noll卻已躋身上流社會,堅拒不讓夜總會生意,遂喚好友說之、玩財技亂之,遣美女惑之,命壯漢退之,Frankie既痛心又震怒,不惜以命相搏,誓要奪回一切。Noll女伴Kay(麗沙白史葛飾)同情Frankie遭遇,不值Noll之所為,決意倒戈相助。黑吃黑,三角戀,兄弟情,史高西斯說《匹馬單槍》定下了日後美國犯罪片楷模,火爆、緊湊、柔情,你又豈能錯過﹗

     (上述節目,全部免費入座 All admissions are free-of-charge.)

bc Sunday Sep: The Power of Words

  • United States

  • France

九月精選 September selection: The Power of Words

7Sep   11:30am Poetry 《詩》
14Sep 12:00pm One Tree Three Lives《 三生三世聶華苓》
21Sep 12:00pm In The House 《偷戀隔籬媽》
28Sep 12:00pm The Perks of Being a Wallflower 《少年自讀日記》

bc Archive

  • ' KICK-ASS '
    — Matthew Vaughn

    Kick-Ass is a comic book action movie and a teen comedy that delivers somecrazy outsize, cartoonlike violence of a Tarantino.Starting with a high school kid who dresses like a superhero and calls himself “Kick-Ass,” the movie’s world expands to the worlds of media, Internet and…organized crime! Yet however grand and fantastic individual elements may become, the personal relationships are grounded in recognizable reality. Though the events in “Kick-Ass” are extreme, we still recognize that his is our world – just a wild, funhouse version of it.

     

  • ' Memories of Murder '
    — Bong Joon-ho

    Based on the real-life story of Korea’s first recorded serial killer, Memories of Murder raises some troublesome questions about the nature of justice and the fallibility of investigative police methods before DNA testing. Told almost entirely from the point of view of the police, it is unusually candid about the false starts and utter chaos of this particular case. The film is a tense, old-school crime film with a dark edge that also works as a hilariously funny comedy in which a police officer and his bumbling colleagues arrest and abuse various suspects.

     

     

  • ' Barbarian Invasion '
    — Denys Arcand

     A sequel to Denys Arcand’s relationships comedy, The Decline Of The American Empire, Barbarian Invasion tells the story of a Montreal history professor Remy whose body has been invaded by a fatal illness, and of the weeks and days leading up to his death. At centre stage is Remy’s relationship with Sebastien, his estranged son and his temperamental opposite. This is a film that sheds the spotlight on its characters than its plot; the deftly created, charismatic characters easily lead you into a world where universal themes of sex, ageing, family and faith are explored seriously and wittily.

  • ' Candy Rain '
    — Chen Hung-i

    A multitude of styles shifting between delicate sensitivity and over-the-top comedy, the four stories in the film are connected by a packet addressed to somebody called Candy Rain. The four relationships depicted here work and fail to work for different reasons, and it goes to show there simply is no fool-proof formula for love. Sandrine Pinna nails the quirkiness of her OCD character, while Karena Lam displays her neurotic comic side.

  • ' Time to Leave '
    — François Ozon

     When fashion photographer Romain is diagnosed with terminal cancer, he confronts his impending death by shutting everyone out of his life – his partner, his family and even his doctor. The only person he confides in is his grandmother Laura (the legendary Jeanne Moreau). As death approaches, an usual request from a friendly waitress could mean a form of salvation for the self-absorbed Romain. Touching and haunting, this is Ozon’s darkest film of late.

     

  • ' Glamorous Youth '
    — Philip Yung

    Philip Yung’s debut, produced by Ann Hui, centres on Hong, a typical teenager facing all sort of problems a teenager would encounter: a girlfriend that’s never pleased, a father what won’t stop drinking and a mother that won’t stop watching TV. Frustrated with life, Hong seeks consolation in a mainland prostitute. Question is: does that solve his problems? Using largely improvised dialogues, Glamorous Youth exudes a refreshing degree of honesty as it explores issues of school, relationships and family in a way that teenagers can recognise and relate to.

     

     

  • ' Exam '
    — 史都華海澤丁

    Sequestered in a room, eight candidates are asked to complete the final test for a mysterious job. In Reservoir Dogs like fashion, each is given a nickname according to skin/haircolour. Hazeldine uses his characters to explore how people turn against each other in pressurized environments. Razor sharp editing of the events that unfold in a slick, pristine exam room bathed in ever-changing colours, Hazeldine’s debut is intriguing and nerve-wrecking. The Apprentice? That’s so Disneyland.

     

  • ' Synecdoche New York '
    — Charlie Kaufman

     Philip Seymour Hoffman and Catherine Keener play a pair of married artists, living in Schenectady, NY. She is a visual artist, and he is a director. The marriage is coming apart. She sometimes wishes he would die. In fact, he might be dying. He has a succession of alarming symptoms. He is working on a novelty production of “Death of a Salesman”. This is not a film about the theater, although a theater director is an ideal character for representing the role Kaufman thinks we all play. In its strange, comic and ultimately Kaufmanesque way, Synecdoche New York deals with the biggest terrors and issues of life: loneliness, sickness, futility, death.

     

     

  • ' Lorna’s Silence '
    — Brothers Dardenne

    Lorna is a young Albanian woman who has come to Belgium and married a drug addict named Claudy for Belgian citizenship. Lorna shows no feelings for her “husband”, because she dreams about being with Sokol, her real lover. But Fabio, who has arranged this marriage, has other plans for both Claudy and Lorna…another gritty tale of the modern day Europe from the Dardenne brothers, whose subjective camera rarely leaves Lorna, thus instilling within the audience a psychological kinship with her, helping us to feel the inescapable world in which she travels. Winner of Best Screenplay at Cannes.

     

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