我們都長大了
Ain’t No Tomorrows

愛與性，恆久不變的青春期煩惱。三個17歲高中男生，整天 無所事事，腦中就只有性、愛情和女生，為童貞而苦惱。誰說 17歲的青春時代是最美麗？日本版的《烈日當空》，看出躁動 一羣的內心世界，甜蜜而傷感。《神童》漫畫家佐草晃的原作 改編，《百萬日元和苦蟲女》新銳女導演棚田由紀大膽搬上銀 幕，讓你回憶起青春時期的煩惱與不安。

MOON AND CHERRY director Yuki Tanada offers a frank depiction of sexuality at 17 in her brilliant adaptation of Akira Saso’s comingof- age manga. Charging forward with all the stagnant urgency and high-strung awkwardness of adolescence, AIN’T NO TOMORROWS weaves three episodes of high school angst and sexual awakening. Sex-obsessed virgin Hiruma desperately pursues a sickly classmate. His buddy Mine becomes the unlikely savior for a naive schoolgirl, and chubby Ando unexpectedly scores with the class beauty.