18/7 (Tue) / 9:40pm / bc
24/7 (Mon) / 7:40pm / bc
  
「我的態度是：就算某些事情看來是不對的，某人的行為很壞，我都會嘗試去理解他。」
"My attitude is: even if something is happening which isn't right, even if somebody is acting badly, in my opinion, then I have to try and understand that person."
 
 
短片節目二 : 制度和官僚
Shorts Program 2 : The System and Bureaucracy
波蘭 Poland / 1966-1978 /
全長Total: 101min / 35mm / B/W & Colour
波蘭語對白．英文字幕 In Polish with English subtitles

奇斯洛夫斯基的紀錄片，經常以無孔不入的官僚制度為題，紀錄了在共產主義下的波蘭，人與人之間的關係如何被扭曲。學生作品《辦公室》(1966/6')，講述國營保險公司內，排隊輪候的人要
一五一十向職員交代他們一生的作為，突顯官僚荒誕一面。《疊句》(1972/11')紀錄了葬禮中的官僚；無論死人活人，在制度下都只是檔案號碼。《守夜者的觀點》(1978/17')是一個按章辦事的夜班看更的生活誌。鏡頭不含道德批判，盡量客觀地讓這位制度代言人自己發聲。《醫院》(1976/22')比任何一集《仁心仁術》還要驚心動魄。院內的骨科醫生除了面對病人外，還要和破舊的器材和不穩定的電力供應搏鬥。紀錄式劇情片《簡歷》(1975/45')，講述共產黨監控局召開會議，討論應否除去一名黨員之黨籍。片中的監控局成員都如假包換，但被聲討的黨員則由演員扮演，其簡歷和「罪狀」皆根據真實個案改編。
Kieslowski is very interested in the way bureaucracy affects people and how they relate to one another. In Office (1966/6'), people lined up at a state insurance company are asked over and over again, "What have you done with your life?" Refrain (1972/11') depicts the bureaucracy involved in funerals. The state pries into lives of everyone, even beyond the grave. From a Nightporter's Point of View (1978/17') portrays an authoritarian night porter who values regulations more than people. Kieslowski takes great pains to remain objective and let his subject speak for himself. Hospital (1976/22') is more nail-bitingly intense than any episode of ER, because every frame is real. The staff of an orthopedic hospital must contend with faulty equipment and unreliable electricity in their unending efforts to treat patients. In Curriculum Vitae (1975/45') the Communist Party Control Board examines the case of a Party member and decides whether or not to expel him. The Party member being interrogated is played by an actor, but his curriculum vitae is compiled from known cases.